Excavating a Husband

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Wallis, Ella Bell Project Gutenberg 2018
Single women -- Fiction; Siblings -- Fiction; Older people -- Fiction; Identity -- Fiction; Treasure hunting -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words: 17,932
Reading time: 78 min
Text sections: 2
In this 1916 novel, fifty-year-old Katherine Boulby's eclectic self-education and romantic notions collide with her brother Joseph's literal-mindedness when a buried gold coin sparks a treasure hunt, revealing the gap between bookish ideals and practical realities.
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The narrator introduces Katherine Boulby as a woman who has reached her fiftieth year in 'single blessedness,' yet her life is not one of perfect calm, for she lives with her brother Joseph. Katherine's chief aim is mental culture, pursued with 'rare, child-like enthusiasm' rather than methodical study. She flits from romantic prose to astrology to architecture, dealing in 'interesting and easy generalities.' The narrator insists she is no blue-stocking but a charming person whose hobbyism never becomes abstruse. This playful, ironic tone—the narrator admits Katherine may be 'inextricably lost' in the labyrinth of learning—sets up a story less about actual excavation than about the comic friction between romantic ideals and mundane reality.

The Narrator's Ironic Voice

The opening paragraphs establish a distinctive narrative stance: the speaker is both affectionate and gently mocking toward Katherine. Phrases like 'it is far from my purpose to represent my heroine as a blue-stocking' and 'she never sought to find herself' create a knowing, almost conspiratorial tone. The narrator claims Katherine possesses 'good, sound, common sense' but then undercuts it by describing her as 'inextricably lost' in her studies. This irony extends to the brother Joseph, who is 'a quiet, fairly pliant man'—a description that proves ironic when he later discovers gold and becomes secretive. The narrator's voice is the book's most consistent feature, shaping how we interpret every character's actions.

The Treasure Hunt as Comic Engine

The discovery of a gold coin while Joseph is spading ground for currant bushes triggers a chain of comic events. Joseph, who 'had no strategy in his nature,' immediately suspects the neighbor boy Willie Brown has seen the coin and will 'tell all the rest of the boys.' Katherine, in turn, declares 'I know boys' and insists they wait until night to dig. Willie, however, quickly deduces the secret and rallies his 'Faithful Band.' The treasure hunt is not a serious adventure but a parody of one: the adults are comically paranoid, the boy is stereotypically mischievous, and the gold piece may or may not lead to a larger hoard. The excerpt leaves the outcome uncertain, focusing instead on the humorous misunderstandings.

Bookish Ideals vs. Practical Reality

A key contrast emerges between Katherine's romanticized view of life and the mundane world around her. She believes in 'daring,' 'picturesque,' and 'romantic' qualities she has read about in books. Meanwhile, Mr. Murphy, a male character, muses on how to embody these traits: 'I’ll be darned what a plain, sober, God-fearing man can do to be it and keep the respect of his mates.' His monologue reveals the gap between literary ideals and everyday life. Katherine's library contains models like Captain Kidd, but Mr. Murphy doubts he can emulate a pirate's whiskers. This tension—between the allure of bookish romance and the limitations of real people—runs through the excerpts, suggesting the novel will explore how characters try (and fail) to live up to fictional standards.

The excerpts offer a comedy of mismatched expectations: Katherine's intellectual flights, Joseph's literal-mindedness, and Mr. Murphy's earnest attempt to become 'romantic' all collide around a buried coin. Readers should attend to the narrator's wry commentary and the way each character interprets the same event through their own lens. The treasure may be real or imagined, but the real discovery is how people construct stories about themselves and others.

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